What is the Best Camera Stabilizer for filmmakers?

If you are looking for the Best Camera Stabilizer for professional videographers and filmmakers then check out the Best Camera Stabilizer Gimbal steadycam for DSLR as well as for Digital cinema cameras from 1kg to 8kgs.


Our new line of hybrid gimbal steadycam camera stabilizers from Basson Steady, designed for professional video production allow camera operators to capture epic camera movements increasing the total freedom of movement.


Here’s a look at the Best Camera Stabilizer on the market today. 

The new line of 8 axis hybrid camera stabilizers, are a mix between a electronic gimbal and a mechanical steadycam,  a dream come truth.


After seeing the Best Camera Stabilizers today, you will find out why those who started with a 3 axis gimbal are now buying the new 8 axis hybrid camera stabilizer.

We invite you to read a comparison between an electronic gimbal vs a hybrid gimbal steadycam.



Basson steady manufactures the Best Camera Stabilizer on the market today with 8-Axis hybrid steadycam gimbal camera stabilizer.

The perfect choice for DSLR cameras as well as digital cinema cameras such as ARRI Alea Mini or RED Digtal Cinema Cameras.

Steadycam Basson Steady Camera Stabilizer Gimbal has several models for different camera weights and offers a great customer service for the worldwide community of Steadicam operators as well as for the Gimbal operators, with our global warranty and customer support online. 

We are known as being one of the first 3 manufacturers and designers of Camera Stabilizers and also for designing high end professional camera stabilization systems for more than two decades.


Offering a creative product line for professionals and amateurs, serving the most exigent camera operators and filmmakers from Hollywood California U.S.A and also for the global community of professional filmmakers and videographers in the five continents since 1997.


Our company Basson Steady camera stabilizer offers innovative solutions & support as a recognized as one the top rated manufacturers of the Best Camera Stabilizers.

Our customers worldwide have access to a direct line of communication from our factory without intermediates.

Bassonsteady website is the top online store to shop the Best Gimbal steadycam

For professional gimbal operators or steadicam operators as well as for videographers & filmmakers worldwide. web page is one of the top online stores to shop today's the Best Camera Stabilizer. Specially conceived for the most exigent professional Gimbal Operators or Steadicam Operators as well as for a wide variety of videographers & filmmakers worldwide.




If you are looking for the best Camera Stabilizer for filmmaker and if you are also considering saving some money buying a 3 axis gimbal like a Dji Ronin or the Freefly Movi, pretending that will give you better results in terms of performance and stability as buying a 8 axis hybrid steadycam gimbal system, well the answer is NO.


You may have seen already many comparisons between 3 axis gimbals like the Dji Ronin or the or the Freefly Movi on youtube vs mechanical steadicams.


After doing all the comparisons they find out whether a 3-axis gimbal stabilizer can indeed accomplish similar camera moves like the mechanical Steadicam on several situations and also gimbals performed better when filming objects at longer distances, Gimbals and steadicam both performed very well following a subject, going up or down on stairs, turning corners and more.


But they also realized that a 3 axis gimbals have many weaknesses and It has several issues to consider when compared to the classic mechanical steadycam that already has 5 axis stabilization just by physics and also due to the mechanical design.


This is the main reason that explains why the classic mechanical steadycam were not replaced in the professional film industry and also explains why professional operators in Hollywood still use them as the main professional camera stabilizer. 

But, don’t take it from just us and hear what other professionals sources said about it.


In an independent Camera stabilization comparison, our new 8 axis Steadycam Basson Steady camera stabilizer model Endless scored in top position as the Best Vest system stabilizer.  

Hear it straight from other professional sources


According to the report from StudioBinder about The 15 best camera stabilizer systems in 2019, they qualified the new 8 axis hybrid camera stabilizer Basson Steady model Endless as the Best Vest System Stabilizer on the market.





Our prices in US$ dollars of our Best Camera Stabilizer hybrid Gimbal steadycam Basson Steady, includes FREE SHIPPING worldwide door to door delivery by Fedex, also includes SALES TAX, VAT or TVA, and also includes FREE custom taxes up to 98%

Considerations before you buying the BEST CAMERA STABILIZER


for your camera gear, some of these topics in the next section to help you to choose the best camera stabilizer gimbal for your camera.



No matter what camera you’re using there are some things to keep in mind:


1. Cameras sizes and weights

The heavier the gimbal and the camera, the more weight you’ll be carrying with you. Most camera stabilizers are fairly light, but some of them weigh around 10 pounds, and maybe as much as 13 or 14 pounds with the camera secured, so it is always better to use a complete package like a hybrid steadycam gimbal that is a full package with vest and shock absorber arm.


2.  The right Balance of your cameras

The balance of a dslr stabilizer is also important, perhaps even more so than its weight, balance is measured by both how well it balances your camera and how easy it is to balance, a balanced camera stabilizer will be easy to use, making your job easier,
cheap gimbals will be hard to balance and very sensitive to minor changes in weight as well as very sensitive to inertia forces.


3. Batteries to Power the gimbal

All models require batteries to power the brushless motors, all gimbal stabilizers use lithium-ion batteries instead, it's as always recommended to have at least 2 or 3 sets of batteries to run a gimbal the hole day.



4. Shooting modes versatility

The best gimbal for your camera have to be versatile enough to accommodate different cameras of various sizes and weights, as well as accommodate different shooting styles, the most professional gimbal stabilizers can be set up in multiple ways to accommodate various shooting styles, and also a wide range of camera weight payload and sizes.


5. Gimbal Quality & Price

The price of a DSLR stabilizer can vary dramatically depending on the payload capacity as well as depending on the quality of the gimbal.

Best gimbals are Higher-priced and are more likely to have advanced features, and will generally achieve professional video stabilization results, and an improved performance.

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Basson steady manufacture and design professional hybrid and mechanic steadycam gimbal camera stabilizers providing the most advanced camera stabilization systems for the community of motion picture & camera stabilization operators from all over the world since 1997, contact us for help, stedicam, steadycam, camera stabilizer, camera stabilizers, steadicams, steadycams, steadicam rigs, steadicam rig, steadycam rig, buy steadicam, comprar steadicam, 5d steadicam, 7d steadicam, dslr steadicam rig, dslr video stabilizer, dslr, steadicam rig, steadycam for dslr, best dslr steadicam, camera steadicam, camera stabilizer, dslr video camera stabilizer, flycam, glidecam, steadicam sk2, dv steadicam, steadicam dvs, steadycam buy, steadicam sale, steadicam operators association, steadicam workshops, advanced steadicam techniques, camera stabilizing system, glidecam steadicam, stabilisateur de caméra, steadicam clipper, sachtler artemis, sachtler steadicam, tiffen steadicam, gyro camera stabilizer, steadicam operators, steadicam rental, glidecam stabilizers, varizoom steadicam, garrett brown, super fly cam, artemis steadicam, steadicam archer, movcam, best camera stabilizer, kamera stabilisierungs, steady rig, glidecam industries, steadicam efp, manfrotto steadycam, garret cam, garrett brown, flycam usa, flycamusa, steadicam for red one, steadicam for red, video camera stabilizer, arri trinity, arri steadicam, arri trynity rig, movcam, movcam rigs, movcam steadicam, glidecam, glidecam steadycam, glidecam stabilizers, mk-v ar, steadicam for red camera, steadicam for red epic, steadicam for red scarlet, red user, steadicam for dslr, steadicam forum, steadicam forum eu, professional camera stabilizer, professional steadicam, prefssional steadycam, steadicam profesional, estabilizador para videocamaras, steadicam shadow, steadimate, steadicam, steadimate, steadicam zephyr, steadicam m1, steadicam aero, steadicam archer 2, steadicam gpi, glidecam devin graham, devin graham, glidecam stabilizers, glidecam steadicam, glidecanm steadycam, glidecam centurion, glidecam x10, glidecam x20, glidecam x30, glidecam x45, easyrig, easyrig minimax, easyrig 2.5, easyrig cinema 3, easyrig vario 5, flowcine, flowcine serene, flowcine gravity one, came tv pro, camera stabilizer, camera operator, society of camera operator, international cinematographers guild, videomaker magazine, indie filmmaker, indie filmmaker magazine

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